A round up for Frame London’s frames on display at Frieze London 2025.

Photo: Installation view, Frieze London, Sadie Coles HQ, Booth D13, The Regent's Park, London, 15-19 October 2025

© The Artist/s. Courtesy the Artist/s and Sadie Coles HQ, London. Photo: Andrea Rossetti

A print is an original work of art created by transferring an image from a prepared surface — such as a plate, block, or stone — onto paper. Unlike reproductions, each print is made by hand under the artist’s control, and each impression carries subtle variations that make it unique. We explain print types and how they are made.

While each wood type has recognisable traits, the natural grain is never identical — every length of timbre and every cut, is one of a kind. That’s part of what makes bespoke framing so special: each frame becomes a unique object, shaped by both the woodworker and nature.

Whether you have one large (and heavy) statement artwork, or you’re hanging a selection of smaller pieces gallery style, we’re often asked the best way to hang a framed artwork securely to your walls at home. Here’s our step-by-step guide on our preferred method of hanging large frames - split batten hanging.

For some time now, we’ve been donating our excess wood to Woodwork for Wellbeing — a brilliant local charity based in Bethnal Green. They run relaxed, inclusive woodworking sessions designed to support mental health, reduce isolation, and bring people together through creativity and craftsmanship.

It was a pleasure to frame the wonderful Megan Rooney’s latest works for her show Yellow Yellow Blue at Ely House, London. The show is open until the 2nd August, and on 27th July there will be a special late opening and performance directed by the artist. Learn more and RSVP here.

We were delighted to exhibit at this year’s Museums + Heritage Show—our first time participating in this leading event for the museums galleries and heritage sector. Sharing space with many respected industry professionals, suppliers, and longstanding collaborators made it a truly memorable experience.

In the second instalment of our Japanese conservation series, Frame London’s own Leina Taylor travels to the serene northern region of Japan, exploring the materials that shape our daily work at the forefront of conservation framing. Nestled at the foot of Mount Gassan lies a small papermaking studio, home to the craft of making Gassan washi—a traditional Japanese paper known for its strength, flexibility, and durability.

After completing an MA in the conservation of works on paper while working at Frame London, Leina Taylor embarked on a 5-month internship focused on Japanese paintings conservation in Yamagata—a small city in the northern Tohoku region of Japan. During her time there, she deepened her understanding of traditional materials and techniques, as well as the nuanced differences in conservation philosophies between the UK and Japan.

Walk inside the newest exhibition at the Design Museum - ‘Splash! A century of Swimming and Style’ - and the first thing you see will be this huge poster, framed by the team here at FRAME London.

Framing for Quentin Blake - artist in residence at Liberty’s new restaurant ‘Seventy-Five’.

We have framed countless Linder photomontages over the years and we were thrilled to be able to frame her photomontages for Danger Came Smiling. The works were mounted within thick museum mounts and housed in a combination of simple black wooden frames and Linder’s signature aluminium frames in black, gold and silver with 99% UV protective Artglass.