True conservation practices lie at the core of our work, ensuring your art remains protected for years to come.

Conservation Framing - an investment in longevity

At FRAME London, we believe preserving artwork is as important as displaying it. Unlike standard framing, conservation methods use archival materials and specialist techniques to protect against environmental damage. This approach represents the gold standard in art care—combining refined presentation with long-term preservation.

  • All materials that come in contact with artwork must be acid-free, lignin-free, and pH neutral. This includes mountboards, backing boards, and any adhesives used in the framing process. At FRAME London, we source the highest quality conservation-grade materials that meet museum standards. Read more.

  • Our staff are trained in conservation mounting and framing techniques for all media, including Japanese hinging with our own wheat starch paste, made in our studio each week. Read more.

  • All materials that come in contact with artwork must be acid-free, lignin-free, and pH neutral. This includes mountboards, backing boards, and any adhesives used in the framing process. At FRAME London, we source the highest quality conservation-grade materials that meet museum standards. Read more.

  • It’s all about the wood – with its unique grain, responsibly sourced origins, and a focus on minimising waste.

    Read more.

  • Ultraviolet light is one of the greatest threats to artwork, causing fading and deterioration over time. Conservation glazing with UV filtering properties blocks harmful rays while maintaining optical clarity, ensuring your art remains vibrant for generations. Read more.

  • Colorful, abstract artwork of a hockey goal on a white frame, being held by two people wearing gloves.

    Handling artwork with care and precision

  • A woman working on an art or framing project at a worktable, using a tool while handling a piece of artwork or photograph with fabric or paper underneath. There are supplies and storage drawers in the background.

    Reversible processes

  • Close-up of a handwritten letter on a yellowish paper, framed in black, against a plain white wall.

    UV Protection

  • Person using a bamboo paddle to dry rice on a banneton.

    Wheat starch glue